Why we shouldn't rush to get back to normal

Life has changed in 2020. That's stating the obvious, of course.

I enjoyed my life in 2019 and previous years a lot more than I've enjoyed 2020, and my heart is aching to get back to freely seeing friends and family like I used to. I'm sick of my own house. Now, with a vaccine being rolled out before Christmas in the UK, it finally seems like life might get back to normal again next year. I, like most people, can't wait for things to get back to the way they were.

But although I loved the old normal much more than I love the new normal, if we think about it rationally, we probably shouldn't rush so much to get back to the old normal. After all, the old normal provided the ideal breeding ground for covid-19, didn't it?

The Perfect Storm

What was it about the old normal that enabled covid-19 to conquer the world? Our exploitative relationship with nature allowed the virus to transmit to humans in the first place, and our relationships with each other allowed the virus to spread. Specifically:

Habitat destruction. It's pretty simple: when we destroy animals' habitats, they either move elsewhere or die. We know they're dying because of the mass extinction that's taking place, but animals are also moving further afield - into human-populated areas. When humans and wild animals live in close proximity, disease can spread from them to us more easily.

Live animal markets. I can barely begin to explain my disgust at the abhorrent live animal "wet" markets which take place throughout China and some other southeast Asian countries. Aside from the morally indefensible ways in which animals are treated in such places, such markets enable humans to mix with wild, exotic, domestic and farmed animals. This makes them perfect places for viruses to leap from one species to another.

Who would have thought that markets like this would lead to disease?
Image source: Bangkok Post

Densely populated cities. If people had lived in rural communities which kept themselves to themselves, the virus would have fizzled out very quickly. I imagine there are uncontacted Amazonian tribes who are totally unaffected by covid-19; for those of us who live in cities, it's a different story.

International travel. Without air travel, the virus that began in Wuhan would have taken a long time to reach our shores, or may not have reached us at all. But with international travel being what it is, people were freely flying in and out of Wuhan and around the world throughout January, and the virus was here in the UK within just a few days of the outbreak in Wuhan. 

Shared facilities. Humans live in large communities where we share transport, shops, places of worship, educational establishments, leisure facilities, and food outlets with one another. Shared facilities - especially those with limited cleaning and high footfall - are ideal places for viruses to spread.

Twenty-first century living is great in many, many ways... But humans' way of life has created the perfect storm: covid-19 has spread astonishingly quickly. To put it bluntly, human contact with animals enabled the virus to make the leap to our species, and our interconnected lifestyles in big cities enabled it to spread.

But covid-19 is an anomaly, right?

Well, no. You'd be forgiven for thinking that covid-19 is an anomaly: I myself have pointed out in a previous post that several other lesser pandemics (or almost-pandemics) have come and gone over the last 20 years. 

And apparently, scientists have long been "preparing" for a killer pandemic, ominously calling the hypothetical disease "Disease X". (Wowsers, if 2 million deaths and international omnishambles occur when the world is prepared, then I'd hate to see what might have happened if weren't prepared!) The scientists apparently speculated about Disease X a few years ago. I didn't know this until a few months ago. 

We are lucky that the fatality rate of covid is so low (around 1-2%); by contrast the mortality rate of Ebola and Bubonic Plague (the Black Death) is around 50%. And the worst part of it all is that scientists predict that there will be another, deadlier pandemic within the next decade. I hope they're wrong, but I fear they may be right. If the old normal was a perfect breeding ground for covid-19 --which evidently, it was -- then a return to the old normal will facilitate a new pandemic at some point in our future.

So what should we do?

Clearly, if we are to avoid future pandemics then something needs to change. But I - probably like everyone else - want to have my cake and eat it. I want to have MY old life back, but I want the rest of the world to change so as to prevent future pandemics. I imagine that everyone else feels the same. We all want our old lives back, whether our old lives consisted of going to football matches, university lectures, playing Bridge at a friend's house, or gutting live frogs in a wet market.

I am willing to make concessions such as social distancing or wearing masks in shops, but to have to avoid my family and friends for the rest of my life for fear they might die if I breathe near them,.. well, I don't want to live the rest of my life like that. 

I think the UK is over the hump of the pandemic now (though I'm sure many more deaths will occur - possibly a few million across the world, and it may get worse before it gets better for the people in countries which are slow to vaccinate). 

Image source: Stat News

But what about future pandemics? Well, I never believed that covid-19 would be a pandemic until mid-March and the deaths were skyrocketing, but now I'm (sadly) a convert: I think there will be future pandemics. if it can happen once it can happen again. and next time might have a far higher death rate or it might pick off kids instead of the sick and elderly. There's just no way to know.

Will we learn from covid-19? We might wash our hands a little more frequently, and people may continue to wear masks voluntarily after covid has gone - the way Chinese people have long since worn masks for any and every occasion. And maybe we'll keep our distance from strangers a tiny bit more than we used to. But generally, in the long term, I think we'll be very quick to forget 2020 and keen to jump straight back into our old ways of life, while the next pandemic is quietly brewing away.

Are drag queens as offensive as blackface?

Over the past year or so, some people in the media have apologised for performing in blackface. In this post I'm going to argue that drag queens are offensive in the same way - although perhaps not to the same degree - as blackface is. Consequently, drag queens should be axed from the screens and stages just as Minstrels have been.

Blackface

Blackface, for the uninitiated, is when an actor or performer applies dark make up - typically to the face, but maybe the hands or elsewhere too - in order to perform as a person from an ethnic group with a darker skintone than their own. For example, if a white person was playing the role of a black person, and applied make up to facilitate that role.

George Mitchell, creator of the Black and White Minstrel
Show, was awarded an OBE in 1975 for his work on the show

Performances of people in blackface have not been acceptable on TV for some time. But there was a time when white people wearing caricatured black make up and dancing around a stage was prime-time entertainment. The Black and White Minstrel Show ran on the BBC from 1958 to 1978, and often drew audiences in the tens of millions - it drew a record16.5 million viewers in a 1964 show. The entertainment value of people in blackface dancing around is lost on me, and it is clearly a product of its time. Minstrel shows are thankfully no longer around, but blackface has still been on prime-time TV (albeit in a slightly different format) within the last 20 years. (And shows of people dancing around still unfathomably persist, but that's another story.)

Ant and Dec 'disguised' as Jamaican women
Patty and Bernice, in Saturday Night Takeaway.

Over the past few months, there has been a flurry of celebrities keen to apologise for wearing blackface in their past performances. The list includes Ant and Dec (on Saturday Night Takeaway), David Walliams and Matt Lucas (on Little Britain), and Leigh Francis (on Bo Selecta). The Mighty Boosh and League of Gentlemen also came under scrutiny for their use of blackface, and were removed from Netflix. The celebs are only too happy to eat humble pie and make statements such as "It was wrong then, and it's wrong now". 

In short, blackface is objectionable because it presents caricatured, demeaning stereotypes of black people;* this contributes towards the dehumanisation of black people which was a defining feature of slavery. The donning of black make up -- as if blackness is a costume one can wear for fun -- is a form of morally objectionable cultural appropriation. Given the history of oppression (not to mention present-day discrimination) which black people have suffered at the hands of white people, it's no wonder people object to blackface.
* Sometimes blackface involves an performer impersonating someone of Southeast Asian origin. The prevailing opinion seems to be that this is still offensive, though it lacks the slavery-related offence dimension. 

Drag queens

If it's offensive to dress yourself up as an oppressed (or historically oppressed) group to which you do not belong, then blackface is not the only form of offensive appropriation which exists. Although there are (morally questionable) examples of able-bodied actors playing disabled characters, they generally do not present ridiculous caricatures of disabled people.

However, the same cannot be said of drag queens. 

Drag queens, in my humble opinion, are horrific caricatures of what society (or perhaps just men) judge to be the defining features of women. Huge, coiffured hairstyles, ridiculous volumes of make up, false eyelashes, enormous breasts and/or bottoms, revealing dresses, trashy jewellery.... there is literally nothing fun or pleasant about what a drag queen represents. They represent the very worst expectations of women, donned by men for the sake of trite entertainment - typically in the form of singing show tunes or reality TV.

To be clear, I am not criticising transsexual women (people born physically male but who identify as female) or transvestite men (men who choose to dress as 'normal' women). These people are a whole different ballgame, and I can see nothing morally concerning about these people dressing as or identifying as normal women.

What I am objecting to here is the donning of the caricature outfit (and make up and suchlike) that is a requirement the drag queen. They are offensive in the very same way that minstrels and blackface are offensive, and here's why:

 

1. They perpetuate dangerous and offensive stereotypes. Women are not just big hairstyles, big boobs, trowel-fuls of make up, and showy clothes. But this is the image that drag queens portray when they "dress as women". This stereotype of women as nothing more than a sexualised, glamorous appearance is offensive - after all, drag queens are not impersonating the intellects of female scientists, the bravery of female firefighters, or the compassion of female nurses. The only thing they portray is the vile oversexualised appearance of the female caricature.
2. They involve a powerful group dressing up as a less powerful group. They say that when it comes to comedy, you should 'punch up', not 'punch down'. This means that it is less offensive to make fun of those in power than it is to make fun of oppressed (or historically oppressed) groups. Sexual inequality has been rife throughout history, and still persists today in many areas of our lives. Just as it is offensive for white (privileged) people to portray caricatures of black people, the same is true of (privileged) men portraying gross caricatures of women.
3. They use appropriation as entertainment. With The Black and White Minstrel Show, cultural appropriation was central to the entertainment value of the act: the fact they were white men made up as black men was (apparently) entertaining in itself. White men dancing, or black men dancing, just wouldn't have had the same sort of appeal. Similarly, a woman (dressed normally) or a man (dressed normally) singing the show tunes of which drag queens are so fond - well, it just wouldn't be the same. I suspect that most if not all drag queens are men who have tried to make it as (normal male) singers, failed, and have turned to drag queening as an alternative route to success. Their absurd make up and outfits make them inexplicably more appealing to audiences, just as wearing blackface suddenly (absurdly) catapulted the Minstrels to success.
4. They pick out caricatured features of the target group. The Minstrels had the white eyes and the white or ruby red lips in stark contrast to the dark skin (make up). The drag queens have the enormous breasts, excessive make up, absurd hairstyles, and revealing dresses. Both pick out nonessential features of the target group, and do so in an unsympathetic way. Watching the show does not help us to feel more sympathetic towards the oppressed group, nor see them as equals; instead, it just encourages us to laugh at them. Drag queens and Minstrels add to the oppression because they dehumanise the target group, making them appear as 'other' and presenting a one-dimensional view of the target group.

If it is morally abhorrent for white people to dress up as caricatured stereotypes of black people for trite entertainment, then it is equally abhorrent for men to dress up as caricatured stereotypes of women for entertainment. Just as celebrities (and perhaps non-celebs) today are apologising for their cultural appropriation (blackface) from decades gone by, I think - and I hope - that in future we will see men apologising for the "sexual appropriation" which they engaged in when being a drag queen. 

The make up, hair, dresses, and oversexualised behaviour are inseparable from the drag queen; without these things, the drag queen would simply not be a drag queen. The Minstrels would no longer have been Minstrels without the blackface, the music, and the style of dancing, and so they could not simply tweak their act to make it more culturally sensitive: the Minstrels simply had to go. Similarly, drag queens cannot simply reinvent themselves in a more politically correct format -- without the features I am objecting to, they would simply not be drag queens. They would just be normal men with mediocre singing voices. For this reason, and the reasons outlined above, I maintain that drag queens should be consigned to history, along with The Black and White Minstrels. There cannot be racial progress when those in a position of racial privilege make fun of black people, and the same is true of women. Women cannot fight for sexual equality when they are being sexualised and made fun of by the very group of people who has the power to provide that equality: men.

But people love drag queens!

Maybe so. But people also loved The Black and White Minstrels. As I said above, the show regularly pulled in audiences in the tens of millions in the UK in the 1960s. And just ten years ago we were still laughing at the blackface characters in Little Britain, The Mighty Boosh, and the League of Gentlemen. Times change, and just because there are many ostensibly non-sexist people who like drag queens (as there were many ostensibly non-racist people who loved the Minstrels) that does not make it morally right for a privileged group to caricature a less privileged group. 

Disclaimer

I have argued elsewhere that I have not experienced a great deal of sexual inequality in my life. I stand by that. Most of the men I have met have been lovely, and have not given me the impression that they think less of me because I'm a female. The men who are drag queens are quite probably nice people on an individual level - and I imagine lots of the Minstrels were nice guys too. That said, sexual inequality does still exist in the UK and elsewhere, and it would be great if we could make more progress towards genuine equality. We are making progress with racial equality, and the move away from Minstrel shows was a step forward. Getting rid of drag queens will be a step forward for sexual equality. It will not be a panacea of course, but baby steps are nonetheless a form of progress.